“The Wheel
of Time turns, and Ages come and pass, leaving memories that become legend.
Legend fade to myth, and even myth is long forgotten when the Age that gave it
birth comes again. In one Age, called the Third Age by some, an Age yet to
come, an Age long past, a wind rose in [locations vary]. The wind was not the
beginning. There are neither beginnings nor endings to the turning of the Wheel
of Time. But it was a beginning.”
Thus begins
the first chapter of every book in the Wheel
of Time series. The wind is then followed through various landscapes toward
the character the reader shall follow throughout the chapter.
The series
operates on the premise that time is cyclical rather than linear. What happens
has happened before, and will happen again. The world described in The Wheel of
Time is therefore both our past and our
future.
The first
book, The Eye of the World, was
published on January 15th, 1990. I only encountered it in 2008,
entirely by chance, on a boring day. The final book, A Memory of Light, was published earlier this week, on January 8th,
2013. I do not have my copy yet.
![]() |
Soon, Precious. |
The first
book narrates the journey of Rand al’Thor and his friends Matrim Cauthon,
Perrin Aybara, Egwene al’Vere and Nynaeve al’Meara from their once peaceful
village of Emond’s Field to the White Tower, domain of the Power-wielding Aes
Sedai. Rand is thought to be the Dragon Reborn, the reincarnation of a hero
three millennia dead.
If this
hardly seems original at first (the journey
theme is a staple of the fantasy genre), the true strength of the series lies
in its use of the ripple effect. Rand and some of his companions are ta’veren; people who somehow make events
around them unfold in certain ways, not always to their advantage. These events
have consequences in other characters’ lives, whose actions create yet more
ripples, and so on. With each new book, the scope and the stakes widen, and the
story is told from the point of view of an increasing number of characters.
Given such
complexity, it is small wonder that the tale grew in the telling (from a
planned trilogy, the series was expanded to fourteen books), or that it took
twenty-three years to complete.
Cardiac
amyloidosis claimed the life of the author in 2007, with only eleven volumes
published. Robert Jordan, whose birth name was James Oliver Rigney, Jr., would
not live to complete his great story. He was prepared for that eventuality,
however, and left behind what I understand is a staggering amount of notes,
recordings and the like, in the hope that someday another would finish what he
had begun.
That other
turned out to be Brandon Sanderson, a young author whose works include the
excellent Mistborn trilogy and the
newly begun Stormlight Archive.
Sanderson was charged with writing the last book of the story, which, given the
amount of information to include, was split into three.
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Robert Jordan, handing over the Dragon Banner to Brandon Sanderson, as characters look on. |
When the
announcement was made, fans the world over (me included) held their collective
breath as they wondered whether this new writer would do the series justice.
Having already read two of the three Wheel
of Time books Sanderson wrote, I am really satisfied with him. Granted, the
story will never be completed exactly as it would have been under Jordan’s
penmanship, but I doubt even a clone could pull that off.
The Wheel of Time has taken me places. Beyond the narrative
itself, there is a treasure trove of references to many of our own myths, not
to mention a few winks and nods to the present-day world (I smiles when I
really understood what a sa’angreal referred to). I have reread the entire
series (such as it stood) many, many times, and each time some new nugget of understanding
came to me. I have been recommending the series to anybody looking for a new
read, much to the irritation of some.
As I
patiently (after a fashion) wait to buy my copy of A Memory of Light, I wonder what life will be for us fans, after we
turn the last page. I wonder what will become of the online communities, of the
discussions and the ruthless ‘flaming’ in forums, now that theorising is no
longer necessary. I can only hope some
of the bonds we forged hold.
The Wheel
has turned its last, its history has entered legend, a legend I will not soon
forget. Robert Jordan’s work may not have been a part of my life for as long as
some, but for that very reason I feel these words about the Dragon apply to the
author just as well as they do to the character:
“He came
like the wind, like the wind touched everything, and like the wind, was gone.”